« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

一名监狱囚犯被虐待，负责这名囚犯的监狱护士被解雇。全国八卦媒体都在关注“监狱事件”，其中一名记者希望让囚犯康复，并鼓励她讲述背后的真想也许是她“自愿”的。本来应该是一个简单的新闻却变成了一个巨大的丑闻，每个人都想知道到底发生了什么。性故事还是简单的八卦？

一名监狱囚犯被虐待，负责这名囚犯的监狱护士被解雇。全国八卦媒体都在关注“监狱事件”，其中一名记者希望让囚犯康复，并鼓励她讲述背后的真想也许是她“自愿”的。本来应该是一个简单的新闻却变成了一个巨大的丑闻，每个人都想知道到底发生了什么。性故事还是简单的八卦？

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Facing unemployment from his record store job, divorce and his 20 year high school reunion, a listless former 90's 'one hit wonder' is given a unique second chance when he agrees to produce and record the debut album of an up and coming Internet sensation.

Facing unemployment from his record store job, divorce and his 20 year high school reunion, a listless former 90's 'one hit wonder' is given a unique second chance when he agrees to produce and record the debut album of an up and coming Internet sensation.

Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.

Martin Brandt (1903-1989), an unforgettable Jewish actor and former member of the Jewish Kulturbund Theater in Berlin, recites from Macbeth and Nathan the Wise, the play that opened the theater in October 1933. These last filmic images of Brandt are combined with historic footage and traces of the Jewish past in Berlin.

Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.